Using a combined media approach (drawing, painting, collage, soft sculpture, digital media) and a step by step, multi-layered process, the JCC Connections Art Class provides a creative environment for the students to express themselves and interact with each other..

 
 
Amanda Kauftheil

Amanda Kauftheil

Tales, 2017

Marker, collage, and pastel on paper

After working with existing Disney stories, the class spent the semester writing and illustrating their own stories. They followed the who/where/what/when structure that they used to analyze Disney stories. The participants imagined these stories, answering the who/where/what/when questions. 


Character Studies, 2017

Marker and Collage on Paper

Participants took turns in picking sets of eyes and ears, noses, and mouths that best suit their character. They chose from a collection of printed facial parts. They then worked with an instructor in placing these features on the accurate space on a blank-face template. They completed the work by adding necessary elements of their own into the design.

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Max Wagenburg

John Hodgson


Maskai Fujitani

Maskai Fujitani

Lonnie Miles

Lonnie Miles

Andy Doherty

Andy Doherty

The Mermaid Series, 2017

Marker and pastel on paper

In 2016, the students studied other authors' stories. Together, they practiced listening, understanding, recounting, interpreting and visualizing existing stories. They looked at character and plot development, storyboarding, illustration, comic-booking and other formats. The class decided to focus on Ariel from The Little Mermaid for a more in-depth study of how a narrative story unfolds. 

They organized the narrative story using still frames and then picked the most important five out of the batch. Using the still frames, they worked on their on interpretive drawing of these five moments in the film. They worked on reconstructing a visual narrative of the film in the form of their own drawings. 

They did a series of exercises with a specific focus on background, foreground, middle ground, detailing and color planning. 


Collages, 2017

Collage, marker & pastel on paper. 

Following up on a “what happens next” exercise, the participants created a more detailed version of their idea for the third frame. They asked themselves questions about their idea to develop it further. For example, “There is a deer. What is the deer doing? Where is it? What is its size, color, expression? What is around the deer?” The following week, they used construction paper and collage material to finalize their work. 

Andy Doherty 

Bambi, 2017

Collage & pastel on construction paper


Amanda Kaufteil Chairs, 2017Marker on paper

Amanda Kaufteil 

Chairs, 2017

Marker on paper

Chair Series, 2017

Marker and pastel on paper

The participants were asked to complete the missing half of a simple chair. This was in continuation and in response to the unfinished room exercise from week two in which the participants had various degrees of success in completing the lines. For the second part of the exercise, the participants worked on a three-panel storyboard. They added an environment to the chair and created a story around it.


Lonnie MilesMarker and pastel on construction paper

Lonnie Miles

Marker and pastel on construction paper

Amanda KauftheilMarker and pastel on construction paper

Amanda Kauftheil

Marker and pastel on construction paper

Environment Studies, 2017

Marker and pastel on construction paper

The class worked on creating background environments from various Disney movies. They transferred small sketches to the larger sheets of paper. They identified important parts of each image. They also covered detail, focal point, foreground and background. The artists worked on these aspects in their drawings.

They then worked with a further enlarged version of the same detail to keep adding more information to their work.

The last part to this “where” component of “stories” is to place the character drawings the class created in these backgrounds and photograph them. 

Once the class finished their background designs, they cut out the characters they had created earlier on weeks five and six, and placed them in these backgrounds. We hung up everyone’s work and did a group critique discussing the different possible stories that are occurring in the images.